The straight line referred to by Abbot succinctly describes the visual illusion that visual perception alludes to.
The abstraction of an eye, of vision is the primary idea in Lightworks.
The eye is grounded, and the form repeated to reiterate the importance of the perception of seeing. The eyes are interrupted by the bisection of the curved formation over the ‘eyeball’.
This distortion to sightedness is a response to the vision of the artist being questioned; assertion of that particular, and maybe peculiar vision is articulated with rhetorical persuasion.
If the eye is the window to the soul, then these windows are open to new insights, different perceptions - closely guarded ones.
